Popular Posts

Showing posts with label cinemalaya. Show all posts
Showing posts with label cinemalaya. Show all posts

Wednesday, August 7, 2019

CINEMALAYA Announces 2019 Jury Members, NETPAC Jurors



WHO will take home the coveted awards in this year's edition of Cinemalaya?

These tough decisions lie at the hands of those who constitute the jury of this year’s Cinemalaya Independent Film Festival, slated on August 2 to 11, 2019, at the CCP venues and August 7 to 13, at selected Ayala Malls and Vista Malls.

Leading the jury who will be judging the main competition entries is Dr. Andreas Ungerböck.  Born in 1960 in Thomasberg, Austria, Dr. Ungerböck has a degree in theatre, film and journalism studies at the University of Vienna, with doctorate thesis on the films of Rainer Werner Fassbinder.

In 1997, he directed a short documentary about Hong Kong cinema before the handover, which was aired on German-French Arte Channel.  He has curated several retrospectives of Asian Cinema including Hong Kong in Motion (1990, 1991, 1995), Taipei Stories (1996), Korean Cinema (1998), Cinema Asia (2003), China Now (2004), Asia 3D (2013).  From 1994 to 2002, he was the catalogue editor for the Viennale Film Festival.

A freelance journalist since 1987, he was connected to selected publications such as 2006 Spike Lee (Co-editor), 2009 Ang Lee (Co-editor), 2012 Real America (Co-editor), Josef Hader, Filme und mehr (2017).  Currently, he is the co-publisher of ray, Austria’s second largest film magazine which deals with mainstream cinema and strongly focuses on arthouse movies, TV series, DVD and blu-ray releases, film books and soundtracks.  It is a part of Austria’s film culture and thus deals extensively with Austrian film politics, subsidy system and festival landscape.

Joining him on the jury panel is Korean director PARK Kiyong.  After graduating from the Korean Academy of Film Arts (KAFA) in 1987, director Park has worked on various film projects as producer and director.  Films he produced include “To the Starry Island,” directed by PARK Kwang-su in 1993, which was the first Korean co-production with Channel Four TV, a European company; and “Cinema on the Road,” directed by JANG Sun-woo in 1995, the Korean episode for BFI's The Century of Cinema series.  In 2000, he also produced “JANG Sun-woo Variations,” a documentary about a controversial Korean director JANG Sun-Woo by a prominent British film critic Tony Rayns.

His films as a writer and director are: “Motel Cactus (1997)” and “Camels (2001),” which have won numerous awards including the New Currents Award at the Busan International Film Festival and the Grand Award at the Fribourg International Film Festival. His other films include: “Tears of Mokpo” (2019); “Noli Timere” (an official film of the 2018 Winter Paralympic Games); “Old Love” (2017), among others.

Another member of the jury is Filipino director Keith Sicat.  He is the man behind notable cinematic works such as “Rigodon,” “Woman of the Ruins,” and “Himala Ngayon,” a documentary on the making of the Nora Aunor classic film directed by National Artist for Cinema Ishmael Bernal.  His latest directorial work is “Alimuom,” a sci-fi film which won 3rd Best Picture at the ToFarm Film Festival and garnered two FAMAS Nominations.

Working professionally as a documentary TV editor and producer in New York City early in his career, director Sicat branched out to feature length documentaries and narrative feature films.  Working in animation, he was the story consult for the first computer generated animated feature film “RPG: Metanoia” and headed the development team for the first Tagalog language Japanese anime co-production “Barangay 143” with TV Asahi.

Filipino director Dwein Baltazar joins the board.  Stylist-turned-filmmaker Baltazar began her career in 2008, styling for independent films.  In 2012, she made her directorial debut in “Mamay Umeng,” which was produced through a film grant from Cinema One Originals and took home the Best Picture at the 14th Jeonju International Film Festival.  She also directed two of the most celebrated films in 2018 - “Gusto Kita with All My Hypothalamus,” and “Oda Sa Wala,” both have won awards here and abroad.  This year, Baltazar made waves in the digital platform with her 7-episode mini-series “Past, Present, Perfect.”  Baltazar is currently writing her fourth film, to be produced by Black Sheep.

Completing the jury is Filipino director Mes de Guzman.  His film “Sa Kanto ng Ulap at Lupa (Of Skies and Earth)” won the Best Picture and Best Director at the Cinemanila 2011, while his film “Diablo” bagged the Best Picture, Best Director, and Best Asian Film (NETPAC Award) at the Cinemalaya 2012.  His latest Cinemalaya entry was “Ang Pamilyang Hindi Lumuluha,” starring actress Sharon Cuneta, in 2017.

His other films included: “Nora Aunor’s Ang Kwento ni Mabuti,” “Sitio,” and “The Road to Kalimugtong,” bagged the Altadis New Director’s Prize at the 2006 San Sebastian International Film Festival (Spain), two Best Picture awards from the Golden Screen Awards and the Festival De Cine De Los Pueblos Del Sur in Venezuela, South America. His short film “Batang Trapo” won the L’Etoile (Golden Star) Grand Prize for Short Film at the Festival International Du Film de Marrakech in Morocco, as well as Best Short Film at the Gawad Urian Awards, 1st Prize and Best Short Film for Children at the Gawad CCP for Film and Video and the Ishmael Bernal Award for Young Cinema, Cinemanila International Film Festival.

Film advocate Indu Shrikent, filmmakers Kan Lume and Jerrold Tarog will be the NETPAC Jury members.

Ms. Shrikent will be the chairperson of the NETPAC jury.  Born in 1948 in New Delhi, India, she started her film journey in 1993 when she joined Cinemaya, The Asian Film Quarterly, a journal devoted to Asian cinema, where she became the deputy editor.  For over two decades Indu has written articles on films, filmmakers and film festivals.

A founding members of the NETPAC Indian chapter, Indu Shrikent promoted Asian cinema extensively in India by organizing film appreciation courses, screenplay workshops, and holding film weeks, culminating with the launch of the Cinefan Festival on Asian Cinema in New Delhi in 1999.  She was co-director of the Cinefan Film Festival since its inception in 1999 and contributed to the steady growth of the festival in both the number of films as well as audience.  In 2012 she became the Festival Director of Osian’s-Cinefan Film Festival of Asian and Arab Cinema.

Indu started the Hello Cinema film club in 2013 to promote meaningful cinema.  She was invited as director programmes for organizing the 19th International Film Festival of Kerala (IFFK) in 2014.  Presently, Indu is working in Osianama Film Archive and Research Center.  Her area of research is Asian Cinema.

Kan Lumé is a multi-award winning filmmaker who received his degree in film and television from Bond University in Australia, with a double major in Film.  Besides being one of the most prolific filmmakers in Singapore, he has taught film in prestigious film schools such as NYU Tisch Asia, School of Audio Engineering, Singapore Polytechnic, Ngee Ann Polytechnic and Makassar SEA Screen Academy.  He is an associate artist at Substation Home of the Arts, and has received commissions for his work from the Embassy of Germany in Singapore, The National Gallery of Singapore and the Asian Film Archive.

His debut feature film "The Art of Flirting" won Best ASEAN Feature at Malaysian Video Awards 2005.  His second film "Solos" bagged the Best Newcomer Award at Torino GLBT Film Festival.  His third film "Dreams from the Third World" received the MovieMax Award at Cinema Digital Seoul 2008.  "Liberta" picked up Special Mention at Cinema Digital Seoul 2012 and the NETPAC Award at Tripoli Film Festival 2013.  "The Naked DJ" earned Kan his second NETPAC award for Best Asian Film at Jogja-NETPAC Asian Film Festival 2014.  His latest film "If This Is My Story" received Best Actor at Jogja-NETPAC Asian Film Festival 2018.

Director Jerrold Tarog, meanwhile, was the man behind the box office hit “Heneral Luna” and its sequel “Goyo: Ang Batang Heneral.”  His films for Cinemalaya include “Mangatyanan” (2009), the short film “Faculty” (2010), and “Sana Dati” (2013).  He is currently working on the superhero film “Darna,” produced by Star Cinema.

Monday, August 14, 2017

More Respect for Cinemalaya 2017 with "RESPETO" Win


Pinoy Hiphop film,  RESPETO, wins top honors with seven awards during the 13th Cinemalaya Philippine Independent Film Festival Awards Night on August 13, 2017 at the Cultural Center of the Philippines’ Main Theater.   The film won Best Film, Best Supporting Actor, Best Sound, Best Editing, the 2017 NETPAC (Network for the Promotion of Asia Pacific Cinema) Award and the Audience Choice Award.

"The movie was about martial law but I am sure no one will watch it if I said so," comments Alberto Monteras II, Director of Respeto.  

Respeto is an exploration of the Pinoy hiphop underground world where a young aspiring rapper and a Martial Law poet cross paths. The film was cited “for its infectious, propulsive energy, its highly convincing cast of characters and very effective ensemble acting, its breathtaking, nearly epic sweep of the underside of Manila, its expert application of the resources of cinema to depict a teenager’s drive to rise above poverty and violence, its cogent melding of contemporary rap and traditional oral literature, and its sheer humanity and coruscating poetry.”


The NETPAC jury praised the film “for tackling the complex issue of human rights violation across two generations, musically connected by the vibrant and socially-conscious use of language.”

Best supporting actor Dido de La Paz was lauded “for his powerful portrayal of an old man haunted by the demons of his past and compelled to adjust to the present.”

Corinne De San Jose garnered the Best Sound award “for the impressive evocation of the din and blare of the underside of Manila, and the effective conjuring of the roar and tumult of the hip-hop underworld” while the Best Editing Award went to Lawrence Ang.

Respeto's Ike Avellana and Baconaua's TM Malones shared the Best Cinematography award for their "powerful application of light and shadow and effective rendering of shots and images."

Respeto bested 8 other films in the Full Length Feature category.  As Best Film winner, Respeto garnered Php350,000 cash award and the Cinemalaya Balanghai trophy.

Joseph Israel Laban’s film Baconaua,  garnered two major prizes---the Special Jury Prize and Best Direction award.

Baconaua, based on an actual story of how one morning after a particularly strong squall, a sleepy fishing village woke up to the astonishing sight of the sea that had turned red, was acclaimed for director Joseph Laban’s “effective summoning of the resources of cinema to depict a sleepy fishing village reeling from the auguries of superstition while confronting the ugly specter of crime and violence.” 

Angeli Bayani won Best Actress for her role in Bagahe by Zig Dulay while Noel Comia Jr.  and Yayo Aguila landed the Best Actor and Best Supporting Actress awards respectively for their work in Kiko Boksingero by Thop Nazareno.

Bayani was hailed for her role as an OFW suspected of dumping a newborn child in the trash bin of an airplane toilet; Comia for his heartrending performance of a boy grieving for his mother while trying to win the love of his estranged father; and Aguila for her endearing portrayal of the nanny who tries to soothe her ward’s loneliness.

Bagahe also won the Best Screenplay award for Zig Dulay while Kiko Boksingero bagged Best Musical Score for Pepe Manikan.  Nabubulok won Best Production Design for Marxie Maolen Fadul.

In the short feature category, the Best Film award went to Hilom by P.R. Patindol while Fatima Marie Torres and the Invasion of Space Shuttle Pinas 25 by Carlo Francisco Manatad won the Special Jury Prize.  Aliens Ata by Karl Glenn Barit scooped up the 2017 NETPAC Award; Best Direction went to E Del Mundo for her Manong ng Pa-Aling and Duwi Monteagudo won Best Screenplay for Bawod.  The Audience Choice Award was given to Marvin Cabangunay and Jaynus Olaivar’s Nakauwi Na.  Best Short Film winner Hilom won Php150,000 cash award and the Cinemalaya Balanghai trophy.

In this year’s Cinemalaya, nine films competed in the Full Length Feature category.  These were:  Ang Guro Kong Di Marunong Magbasa (My Teacher Who Doesn’t Know How To Read) by Perry Escaño; Ang Pamilyang Hindi Lumuluha (The Family That Doesn’t Weep) by Mes de Guzman; Baconaua by Joseph Israel Laban; Bagahe(The Baggage) by Zig Dulay; Nabubulok (The Decaying) by Sonny Calvento; Kiko Boksingero by Thop Nazareno;Requited by Nerissa Picadizo; Respeto by Alberto Monteras II; and, Sa Gabing Nanahimik ang mga Kuliglig(Clouds of Plague) by Iar Lionel Benjamin Arondaing.

For the first time in Cinemalaya history, there were 12 short films, instead of the usual 10, that competed. These were:  Aliens Ata (Maybe Aliens) by Karl Glenn Barit; Bawod (Bent) by TM Malones; Fatima Marie Torres and the Invasion of Space Shuttle Pinas 25 by Carlo Francisco Manatad; Hilom (Still) by P.R. Patindol; Islabodan (Free Men) by Juan Carlo Tarobal; Juana and the Sacred Shores by Antonne Santiago; Lola Loleng (Grandma Loleng) by Jean Cheryl Tagyamon; Manong ng Pa-Aling (Man of Pa-Aling) by E del Mundo; Maria by JP Habac Jr.;Nakauwi Na by Marvin Cabangunay and Jaynus Olaivar; Nakaw by Arvin Belarmino and Noel Escondo; and Sorry For The Inconvenience by Carl Adrian Chavez.

Members of the Main Competition Jury were Padmashri Dr. Girish Kasaravalli, Freddie Wong, Sheron Dayoc, Lee Briones-Meily and Joselito “Lito” B. Zulueta. 

In the NETPAC Jury were Ismail Basbeth, Tsengel Davaasambuu and Ricardo Lee.

Now on its 13th year, Cinemalaya has supported and promoted the production of 136 full feature independent films and 116 short films. Many of these films have won awards in local and international competitions and festivals. Through the annual festival, Cinemalaya has showcased over 1,000 works by independent filmmakers including full feature films, shorts, documentaries, Filipino film classics, and art films. Cinemalaya this year was held at the CCP and Ayala Theaters in Greenbelt 3 and Glorietta, Makati, Fairview Terraces, TriNoma, and UP Town Center, Quezon City, and Marquee Mall in Angeles City, Pampanga.

Cinemalaya is a project of the Cinemalaya Foundation, the Cultural Center of the Philippines in partnership with Ayala Malls Cinemas.  Established in 2005, Cinemalaya is an all-digital film festival and competition that aims to discover, encourage and honor cinematic works of Filipino filmmakers.

Sunday, August 9, 2015

Cinemalaya 2015 Brings In Award Winning Asian Filmmakers

Press Update:
AWARD winning filmmakers will be attending the 11th Cinemalaya Independent Film Festival and Competition on August 7-15, 2015 at the Cultural Center of the Philippines and Greenbelt 3 Makati.

Reis Celik, director of The Night of Silence (Turkey, 2012) will be present at the screening of his film on August 11, 6:15 at the CCP Main Theater.  Celik’s The Night of Silence tells the story of a child bride who is forced to marry a man more than fifty years older than her and who just returned to his hometown after doing years of jail time. Sitting in the nuptial chamber with horror, she will start to face with realities after grandfather-aged groom steps into the room. The Night of Silence won the NETPAC award in the 2012 Hanoi International Film Festival.  Celik will participate in a Meet the Artist session on August 122:30-3:15p.m. at the CCP Third Floor Hallway.

Li Zhen Hua, producer of Poet on a Business Trip by Ju Anqi (China, 2014) will attend the screening of the film on August 11, 9 p.m. at the CCP Main Theater. Poet on a Business Trip is a documentary shot more than 10 years ago. In this film, a poet sets off on a ‘business trip’ through inhospitable Xinjiang province. The physically exhausting trip provides an existential brothel visit, bumping on bad roads, and a glimpse of a disappearing world. Poet on a Business Trip won the NETPAC Award for the best Asian film at the International Rotterdam Festival 2015. Li Zhen Hua will interact with audiences at the Meet the Artist session on August 12, 5:00-5:45 p.m. at the CCP Third Floor Hallway.

Sotho Kulikar, director of The Last Reel (Cambodia, 2014) will grace the screening of her film on August 12, 6:15 p.m. at the CCP Main Theater. The Last Reel is all about a lost film buried beneath the killing fields that reveals different versions of the truth. The Last Reel is a contemporary story about love, family and ghosts of Cambodia’s past. The Last Reel won The Black Dragon Award, Udine Film Festival, 2015). Kulikar will speak with audiences at the Meet the Artist session on August 132:30-3:15 p.m. at the CCP Third Floor Hallway.

The Maw Naing, director of The Monk (Myanmar/Czech Republic/2014), will be attending the screening of his film on August 12, 9 p.m. at the CCP Main Theater. The Monk is a sensitive coming-of-age tale that revolves around a young monk, Zawana, who had spent most of his life in a monastery in the Burmese countryside. When his superior falls ill, Zawana is faced with the dilemma of deciding if the life of a monk is still his destiny. The Monk was the NETPAC winner in International Festival of Asian Cinema in Vesoul 2015. The Maw Naing will be discussing his film with audiences at the Meet the Artist session on August 13, 5-5:45 p.m. at the CCP Third Floor Hallway.

Cinemalaya is a project of the Cinemalaya Foundation and the Cultural Center of the Philippines. Established in 2005, Cinemalaya is an all-digital film festival and competition that aims to discover, encourage and honor cinematic works of Filipino filmmakers.

To date, Cinemalaya has supported and promoted the production of 118 full feature independent films and 96 short films. Many of these films have won awards in local and international competitions and festivals. Through the annual festival, Cinemalaya has showcased over 1,000 works by independent filmmakers including full feature films, shorts, documentaries, Filipino film classics, and art films.

For screening schedules of Cinemalaya, visit www.cinemalaya.orgwww.culturalcenter.gov.ph and the Cinemalaya facebook page or CCP Film Office at telephone number 832-1125 local 1704-1705 and the CCP Box Office at 832-3704. 

LinkWithin

Related Posts Plugin for WordPress, Blogger...