Showing posts with label noel trinidad. Show all posts
Showing posts with label noel trinidad. Show all posts

Sunday, June 22, 2014

“The Baby Dance” with G Tongi Launches Upstart Soundstage at Century Mall




Media celebrity G Töngi, newly appointed Artistic Director of Upstart Productions, heads the cast of a dramatic reading of the powerful American play The Baby Dance, brought to you by Metrobank Card Corporation. This one-night-only performance held last June 15, 2014 at Century City Mall kicks off an entire series of dramatic readings called Upstart Soundstage. No props, no sets, no costumes—just a different play or musical every other Sunday until September 7 featuring well-known theater personalities and stage directors. 

“Readings like this are very popular in L.A and New York,” declares Töngi, who has timed her birthday celebration to coincide with the first play in the series. Upstart has lined up an impressive array of actors for the project: noted stage and screen personalities Audie Gemora, Noel Trinidad (one of Upstart’s board members), and Töngi herself, along with renowned directors like Anton Juan and Bobby Garcia.  

But will Manila audiences take to the concept of stage shows without any staging? “When you take away the sounds and lights and costumes, you force people to really pay attention,” shares Upstart Productions founder, Joel Trinidad.  Managing Director Onyl Torres, who doubles as the company’s Musical Director and Composer, likens the medium to a radio play. “You get the same emotions, the same human drama,” he says. 

Upstart Soundstage kicks off with Töngi’s birthday celebration: a reading of Jane Anderson’s The Baby Dance, an emotionally charged drama about a suburban couple adopting the unborn baby of a poor couple. Other proposed shows in the series—which will run continuously, every two weeks, in three-month blocks—include Pippin by Stephen Schwartz, Glengarry Glen Ross by David Mamet, The Seagull by Anton Chekov, Les Liaisons Dangereuses by Christopher Hampton, and many others. “A different show every two weeks, at a fraction of the cost of a regular show,” notes Töngi. “Where else can you experience that?”

Upstart Soundstage: The Dramatic Readings. Starting Sunday, June 15, at 7:00 pm at the event space on the 5th floor of Century City Mall, Kalayaan Avenue, Makati, and playing continuously every other Sunday from then on. Show schedule may change based on availability of performance rights and other factors. Tickets at P300 each, available at the door. Presented by Metrobank Card Corporation in cooperation with Century City Mall. From Upstart Productions.

Wednesday, January 30, 2013

RIVALRY The Second Round: Getting Into the Heart of the Musical


 Chickens. Yes, you heard me right, Chickens started the whole Ateneo-La Salle Rivalry.  That’s according to the Genaro Patricarch from the Rivalry Ateneo-La Salle The Musical which was set during the height of the famous, and still ongoing rivalry, in 1968.  It was not known which school won on that year as many have asked THE mother of all questions.  What is more important is the impact this rivalry has had on the student basketball fans and the public in general.

Through Quiot Valencia’s character, the whole rivalry was justified as a void that needed to be filled.   These student basketball players represent heroes that fans needed to look up to.  Everyone needs a hero to emulate..The parallelism with Don Quixote, the inclusion of such character, added a deeper insight, a touch of imaginative adventure to the otherwise perceived shallow level of skirmish.  Quito explained that though Don Quixote enemy’s were imaginary, he was nevertheless fearless in fighting his wars. So I gathered that the basketball arena is an imaginary war field where these young players bravely defend their castles and reputation. And the fans cheer for their heroes.

So maybe I’m getting a little complicated.  What really matters is that this Filipino original musical play is not only one great show  but it has cultural implications that define us as Filipinos.  To the world, we are not just victims of Spanish, American, and Japanese colonizers, an oppressed impoverished nation, but we are also fun people who belong to the privileged sector and enjoy having our own healthy competition with each other.

What makes this show great? Lots.  So let me point out some of my favorite scenes . . .
The intro song was fun and launched the mood of the whole play,  the Maryknollers singing  praises about a boy from la Salle, the great voice blending in the “harmony” song sung by the wives of the battling fathers, the visually appealing choreography of the students in their military uniforms, the choreography with the reporters and the  “mob fight” scenes,  and who can forget the confrontation between Tommy Basilio and Reena San Jose with the hilarious execution of their “unspoken conversation”.  I can go on and on . . . but every musical scene was fun and uplifting.  You can watch it over and over and the music is still as entertaining as the first time, take it from someone who has seen it three times already.

The lead roles taking the centerstage are OJ Mariano as Paco Valencia, the Ateneo star player together with Mako Alonso as Tommy Basilio, the La Salle Star; Athena Tibi as Reena San Jose, the Maryknoller who captures the attention and affection of an Atenean and a La Sallite; and Red Concpecion as QuitoValencia.

Cara Barredo (Reena San Jose - understudy), Altair Alonso (Tommy Basilio - understudy), Fred Lo (Quito Valencia – understudy) and Mayen Cadd (Andrea Valencia) are the four new faces who will surely infuse an all-new chemistry and onstage energy with the original and fellow Rivalry cast members.
                       
The supporting cast includes Juliene Mendoza as Anton Valencia,  Raymund Concepcion as Demetrio Basilio, Sheila Francisco as Dolores Basilio; Joel Trinidad as the Ateneo coach and Chino Veguillas as the La Salle coach, and a special appearance of Noel Trinidad as Eliseo Genaro

Also featured are veteran theatre artists Caisa Borromeo, Kyla Rivera, Kakki Teodoro, Robbie Zialcita, Jun Ofrasio, Steve Conde, Will Angeles, Jenny Villegas, Diana Alferez,  Angela Padilla. Bulinggit Delgado, Nelsito Gomez, Bym Buhain, Mark Tayag, Kevin Concepcion, Andre Calixto,  Fran Jose. Jay Pangilinan, Francis Jovina, Harold Cruz and Anthony Tarossa Ong .

Rivalry: The Musical was first presented last January 2012 and received unanimous praise from the audiences and the press for putting up  a phenomenal original Filipino production about the real lives of students and how they cope up with day-to-day family rules and chores, school norms and academic proficiency.

The artistic and creative team of  “ RIVALRY Ateneo- La Salle The Musical – Second Round ” is led by Ed Gatchalian  (Musical Director, Composer, Arranger and Orchestrator), Jaime Del Mundo (Book and Director), Joel Trinidad (Lyricist), Nancy Crowe (Choreographer), Johnsy Reyes (Lighting Designer), and Lex Marcos (Set Designer).

The production staff is composed of Leah Reyes (Production Manager), Ems Bolanos (Company Manager), Ed Lacson (Stage Manager), Ace Urieta (Technical Director) Roan Cornejo (Deputy Stage Manager); Jeremy Aguado (Executive Asst); Toots Tolentino (Publicist); JC Inocian (Photography) and Meynard Penalosa (Videography).

A musical feast for every member of the family, “ RIVALRY:  Ateneo-La Salle The Musical – The Second Round runs from Fridays to Sundays starting January 25, 2013 until  February 17, 2013. (Friday – Saturday at 8 p.m.; Saturday – Sunday at 3 p.m.)

Tickets are now available at all Ticketworld outlets. For tickets and show information, call 891-9999 or visit www.ticketworld.com.ph.








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